黑料百科

Senior Theses

Art history majors are encouraged to pursue, with faculty guidance, a senior thesis: the preparation, writing, and public presentation of a piece of advanced art-historical research in any area of art history. Previous theses include the following:

  • 2023 淔ailure's Undeniable Appeal: The Legacy of the Greatest Film Never Made, Melena Johnson
  • 2023 淒igging into the Surface: The Public and Private Relationship of Japanese Bodysuit Tattoos, Kaya Matsuura
  • 2023 淪eeing through Machines, or 'What do we do with AI art?櫇 David Gales
  • 2022 淭he Metamorphosis of Medium: Considering Maura Wilson Schneider I Heart You as a Digital Comic, Hannah Beshey
  • 2022 淭rauma and Queerness in the Art of Francis Bacon, Will Borda
  • 2022 淐omme des Garc抬ons: The Role of Antifashion and 1960s Western Fashion in Creating Modern Androgynous Dress, Azamat Fuller
  • 2022 淔abricated Unity in 16th-Century France Represented through the Valois Tapestries, Sohom Pal
  • 2022 淥ut of Reach: Touch, the Viewer, and Eva Hesse Accessions, Leah Steding
  • 2022 淓xperiencing Grief through Goya Disasters of War Series, Sophie Wojdylo
  • 2022 淭he Trapped Empress: Elisabeth and Titania through the Interplay of Fantasy and Reality, Rei Yamada
  • 2021 淒ark Academia and Knightcore: Reinterpreting and Reconceptualizing the Medieval, Katie Buhman
  • 2021 淜eith Haring, Jean Michel-Basquiat and Andy Warhol A Triumvirate, Kevin Donahue
  • 2021 淩eturning the Gaze But Not the Gift: Framing the Palace of Culture in Contemporary Polish Film,  Zoe Fruchte
  • 2021 淚nterpreting Appropriation Art, Inna Gjoleka
  • 2021 淭he Sinicization of Mosques in Imperial China, Xioyan Liu
  • 2021 淪ubjectivity in Performance Art Pre and Post-Digital World, Phinn Lloyd
  • 2021 淶en Buddhism in Fusama Paintings and Contemporary Fusama 顿颈蝉辫濒补测蝉, Hinako Minagi
  • 2020 淓rotic Cloth Reconsidered: The Intersection of Erotic Aesthetics and Commercial Influences in the Production of Kikugawa Eizan Selections from the Brocade Quarter E-awase kingaisho, Maggie Coleman
  • 2020 淭he Dialectics of Early Sixteenth-Century Botanical Illustration, Owen Daley
  • 2020 淏eyond the Calm Exterior: An Analysis of Santa Teresa de Jes煤s by Jusepe de Ribera 1591-1652, Kaity Moore
  • 2020 淭he Secret Lives of Things: The Use of Everyday Objects in Ilya Kabakov Art to Depict the Soviet Reality, Nicole Rosengurt
  • 2020 淭he Renewal of the Tifereth Israel Synagogue: A House of Study, Kelly Yu
  • 2019 淭racing Western Influence on Japanese Modernist Painting: A Study of the Bijinga 骋别苍谤别, Amelia Geser
  • 2019 淪tatues in Fragonard Picturesque Gardens, Jiayun Chen
  • 2019 淒isability in Greek: Hephaestus, Vivien Makos
  • 2018 淔rom Graffiti to Market: Contemporary Artists and the Commercialization of Graffiti and Street Culture, Chris Baumann
  • 2018 淭he Narrative Textile: Paula Nicho C煤mez Weaving of Form, James Caruso
  • 2018 淚nheritance and Reinvention in Zao Wou-ki Abstraction, Claire Ma
  • 2018 淪ubversion in Japanese Youth Culture: The Art Books of Yoshitomo Nara, Sonja Spain
  • 2018 淒ivine Sorrow: Ethics and Violence in Ana Mendieta Iowa Period, Ellen Taylor
  • 2017 淪taging the Politics: A Life Portrait of Emperor Yongzheng, YanYan Liu
  • 2017 淐ruel NightMares: The Role of British Print Culture in the Moralization against Horse Cruelty from 1750-1850, Donna Brunnquell
  • 2017 淗ungry, Thirsty Roots: Exploring Victorian Female Appetite and Suppression Thereof, Hannah Zucker
  • 2017 淎n Affective Space: Lygie Clark Anthropophagic Installation 楢 casa 茅 o corpo: penetra莽茫o, ovula莽茫o, germina莽茫o, Murielle O橞rien
  • 2017 淪peculative Spaces: The Case of Marion Mahony Griffin, Rebekah Rennick
  • 2017 淢ending the Gap: The Reconciliation of the 楲esbian and the 楩emale in Joan Snyder 1970s Paintings, Lauren Toppeta
  • 2017 淥n the Edge of Shanghai: Postmodern Critique in Andrew Cheng 榃elcome to Destination Shanghai, Fenyi Wu
  • 2017 淔rom History to Heaven: Gold in the Church of Santo Domingo, Xena Fitzgerald
  • 2015 淓arly Sonia Delaunay: The Avant-Garde at Home, Eli Harrison co-winner of Phi Beta Kappa, Beta of Iowa, Scholar Award, Spring 2016
  • 2014 淧ortraying Jewish Identity in Dreyfus-Era France: Changing Approaches to Picasso Portrait of Gertrude Stein, Hannah Safter
  • 2014 淎rt in American Diplomacy: Fallacies, Phalluses, and Freedom, Remy Ferber
  • 2014 淲es Peters Pearl Palace: Expressing Nationalism in Modernist Persia, Emily Sortor
  • 2014 淶aha Hadid: Building the Unbuildable, Kathlyn Cabrera
  • 2010 淭he Depression and the Curve: American Streamlined Design at the Rise of Modernism, Isabel Miller
  • 2008 淗igher Powers Commanded: Sigmar Polke and Painting after Painting, Rex Unger
  • 2008 淩e-Framing Minimalism: Literalism and Illusionism in the Contemporary Gallery, Jonathan Patkowski
  • 2008 淪elf-Portrait of a Tahitian: Essentialism and Identity in the Work of Amrita Sher-Gil, Stephanie Cox
  • 2008 淎rdengo Soffici Cubo-Futurism, Liza Newman
  • 2007 淪ocialist Realism and the Evolution of Stalinist Official Culture, 19201940, Nicole Reiner
  • 2007 淎delita: Enrique Chagoya Recast Heroine, Julia McHugh
  • 2006 淭. J. Clark and the Postmodern Perspective on Manet Modernism, Nicole Reiner
  • 2006 淎mbiguity and the Subversion of Ideology: Arte Povera, Luciano Fabro, and Michelangelo Pistoletto, Patrick Waldo
  • 2006 淭owards Liberation and Abstraction: Haiti as a Trope of Resistance in Modern African American Art, Alfredo Rivera
  • 2006 淚n Volumes, Shapes, and Shades: Filming Abjection in Shirin Neshat Zarin, Katherine Rochester
  • 2005 淪erving Structures, Transcendent Tapestries: The Power of the Prototype in the Architecture and Art of Modern Weaving, Katherine Rochester
  • 2003 淚t A Girl Thing: When Lesbian Art Met Culture in the 1990s, Allison Dolan
  • 2003 淔ashion as the Language of Modernity, Jenni Wu
  • 2002 淭his Film Has Been Formatted to Fit Your Screen: Consequences of Frame Erasure in Visual Media, Carrie Robbins
  • 2002 淛ol谩n Gross-Bettelheim: The American Prints, Emily Stamey
  • 2001 淭he Persona of Los Angeles Pop Artists in the 1960s: Negotiating Cultural Conflict with Business Cards, Tuxedos, and Motorcycles, Elizabeth Ferrell winner of Phi Beta Kappa, Beta of Iowa, Scholar Award, Spring 2001

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